Warhol’s influence on society has steadily grown in the two decades since his death in 1987 and has yet not reached its zenith. Warhol’s ideas were “far out” during his lifetime but are coming more and more to resemble life as we know it. Over the course of 30 years, more and more people have [...]
Coca-Cola Pop Art Gallery: John Clem Clarke
During the second half of the twentieth century, popular culture and the mass media gained a huge significance in American culture. Pop art that was a sign of the times: a product, a tribute to art history and critique of the social situation. In the sixties, the New York art scene was very diverse, with [...]
October 23, 2008
Categories: Artist Spotlight, Coca-Cola Art . Tags: 'Coca-Cola', American Art, American Culture, American Girl, Andy Warhol, Andy Warhol & Coca-Cola, Art, Art gallery, Artist, Canvas, Car Chase, Coca-Cola Girls, Coca-Cola Pop Art, Coke Art, Comics, Illustrator, Jean-Michelle Basquiat, Jim Dine, John Clem Clarke, Mass Media, Metropolitan Museum of Art, Movie Theme, Museum, Museum of Modern Art, New York, NYC Art Scene, Painter, Photoshop, Police Behind Cola Billboard, Police Car, Pop Art, Retro, Roy Liechtenstein, Sketch, Social Situation, Technique, Tom Wesselmann, Tribute, Vintage, Walt Disney, Whitney Museum . Author: UltraVivid . Comments: Leave a Comment
Alvin Richard, A Celebration of Realism
Alvin Richard is a self-taught classical-modern painter, with the hand & the eye of an old master. His exceptional “Realist” paintings are the product of natural artistic talent and heartfelt passion. Living in New Brunswick, Canada, Richard is working full-time as a registered nurse and moonlighting as an artist. He has been painting with acrylics [...]
October 17, 2008
Categories: Artist Spotlight, Coca-Cola Art . Tags: Art, Painting, Artist, Painter, Coca-Cola Bottle, Coca-Coca, Alvin Richard, Realism, Still Life, Arts, Impressionism, Street Scene, Portrait, Contemporary, Fine Art, Figure Study, Coke Bottle, Coca-Cola Sign, Red Disc Icon . Author: UltraVivid . Comments: Leave a Comment
